Postgraduate MSc/PgDip

Audio Production





One year

16 month

Three year

Next enrolment

September 2024


In a nutshell

New technologies are changing the way people experience sound and audio. With our specialist Audio Production postgraduate degree, you’ll gain practical, theoretical and creative experience of sound engineering, music production and audio technology.

Our course is designed to develop your professional audio skills, backed up with thorough theoretical knowledge about its design, management and production across many platforms. During your studies, you will get to use advanced recording studios, music technology suites and acoustics facilities at our MediaCity and Peel Park campuses.

We highly recommended the course for audio technology and engineering graduates who want to pursue a career in the audio and media industries. By building on your engineering and technology fundamentals, you can gain specialist knowledge and expand your skill set, positioning you for an exciting career in sound, music and media industries.

International applicant? Please check international intakes for the latest information and application dates.

Start your MSc Audio Production study journey

Register for our next Open Day where you can learn more about the course, tour our impressive facilities at MediaCity and meet the tutors

You will:

  • Study at our sophisticated MediaCity campus, next door to the BBC and ITV
  • Utilise advanced, state-of-the-art recording studios and post-production facilities to study audio engineering and production
  • Develop advanced skills relevant to the contemporary communication, media and entertainment industries
  • Tap into the expertise of world-class audio engineering and acoustics researchers and academics

students accepted

This is for you if...


You are a technically-skilled graduate with a degree in audio, music technology or a related subject area, and want to build audio production knowledge


You want to further develop your existing theoretical and operational audio production skills and knowledge


You're excited by sound, and want a future career in the production of audio

Course details

All about the course

An audio mixing desk

Course delivery

Our MSc Audio Production postgraduate course is available with flexible full and part-time pathways. There are course intakes each September and January.  

The MSc award course comprises eight 15-credit taught modules, followed by a 60 credit dissertation project.

  • As a full-time student starting in September, your studies will take approximately 12 months to complete. Full-time January starts will take approximately 16 months to complete. You will study taught modules in trimesters one and two, and complete your final project during trimester three
  • As a part-time student, your studies for both start dates will take approximately 36 months to complete. Taught modules are spread over trimesters one and two for two years, and you will complete your final project in year three

The part-time pathway can be intensive. We recommend that part-time students dedicate approximately 19 hours per week to study. 

Modules are delivered at our MediaCity and main campuses using recording studios, audio technology suites, post-production suites, acoustic facilities and lecture suites.

Learn more about the current course modules in the section below.

Course team

Drawing on over 60 years of acoustics expertise at Salford, the Audio Production postgraduate course is delivered by an academic team with exceptional research experience and extensive professional connections throughout the world.

Course leader: Dr. Ben Shirley

Trimester one

Audio Production

This module will develop advanced sound recording, editing, processing and surround techniques, both within a group and in an individual context. You will be given the opportunity to work on a recording project that will entail both technical and logistical challenges.

Audio Post Production

This module covers the tools and techniques used in the audio post production process and how to apply these skills in an original and creative way by developing the advanced skills and techniques needed for sound design, dialogue editing, ADR (automatic dialogue replacement) and Foley work. You will also develop a systematic understanding of mixing for 5.1 surround and to apply these in an original and creative way and be able to develop mastering techniques in stereo and 5.1. On completion you should have the skills and techniques needed to produce broadcast-standard output.

Emerging Technologies and Digital Culture

This module will enable you to gain a systematic understanding of, and an ability to critically evaluate likely future developments in media, in both a technical and commercial context. Topics covered include social media, cultural impacts and drivers; consumer markets, digital identity, ethics, privacy, copyright, licensing; content creation, sharing and reuse and digital rights management.

Audio Theory

Audio theory will give you a thorough understanding of analogue and digital audio signals and systems and the complex techniques for digitally controlling and interconnecting audio devices. This will include synchronization, clocking and automation across a variety of audio production platforms and contexts. Digital audio formats will also be examined.

Trimester two

Spatial Audio

In this module, the spatial hearing capabilities of the auditory system are further investigated and spatial audio systems including stereo, binaural, transaural, 5.1, ambisonics and wave field synthesis will be investigated both in terms of theory and practical use. There will be opportunities to audition and experiment with a number of different surround systems during practical sessions in the recording studios, listening room and anechoic chamber.

Recording Studio Design

You will learn the acoustics of sound propagation in enclosed spaces and will learn how to design methods of treating such spaces to achieve a desired acoustic result and the limitations of those methods. An assignment based on the design of a creative space (recording or control room) will tie all these strands together so that you can understand the acoustics, engineering and management required in the successful design of both control rooms and other creative audio environments. 

Sound Synthesis

You will develop theories of timbre analysis, the ways in which musical instruments produce sound, musical synthesis techniques, then undertake software-based musical sound synthesis using both emulative and abstract approaches. Additive, subtractive and modulation synthesis will be studied along with signal processing (effects) design. By the end of this module, you will have built a complex synthesizer and multi-effects unit in software.

Research Methods

You will learn a range of research techniques appropriate to audio, acoustics and video and the relationship between research questions, research methods and analysis techniques. This will help prepare you for writing your dissertation that takes place in the third semester. Topics studied include literature searching, data types, qualitative and quantitative data analysis and the integration of different research methods.

Trimester three


The aim of the master's project is to carry out, under supervision, an extended individual study into a topic in audio, digital media or acoustics. A large number of topics will be offered to you to choose from or you could undertake a bespoke topic to be agreed between you and your supervisor. Your project will reflect the skills, knowledge and understanding from different areas of the course and will encourage initiative and project management.

Please note that it may not be possible to deliver the full list of options every year as this will depend on factors such as how many students choose a particular option. Exact modules may also vary in order to keep content current. When accepting your offer of a place to study on this programme, you should be aware that not all optional modules will be running each year. Your tutor will be able to advise you as to the available options on or before the start of the programme. Whilst the University tries to ensure that you are able to undertake your preferred options, it cannot guarantee this.

What will I be doing?


The majority of teaching and learning is delivered through tutorials, seminar groups, and studio-based activities in the recording studios, the audio technology suite, and audio post-production suite.

All students benefit from the supply of a range of high-quality teaching materials, books and software. Interaction is face-to-face wherever practical, and there is a strong focus on guided self-learning.


Assessment involves a mixture of practical work, report writing, and project work. By the end of the course, you will have a portfolio of audio and new media work to demonstrate to future employers.

Assessment is approximately divided as follows:

  • Practical work (30%)
  • Report/assignment (35%)
  • Presentation (5%)
  • Dissertation - that may entail practical elements (30%)

School of Science, Engineering and Environment.

Rising to the challenge of a changing world, our postgraduate courses are designed to shape the next generation of urbanists, scientists, engineers, consultants and industry leaders. 

Driven by industry, and delivered by supportive programme teams, you can develop the knowledge and skills to take your career potential further.


As an Audio Production student you will use our post production and audio suites featuring industry-standard software packages including Pro Tools, Reason, Adobe Creative Cloud and the Native Instruments suite. The post-production suite includes Pro Tools S6 console and has Dolby Atmos monitoring capabilities. Our recording studios house Solid State Logic, Neve and Audient mixing consoles. There are also dedicated dubbing and foley facilities.

Industry collaboration and research

When you start this degree with Salford, you are also joining a community making a difference in industry, our local region and in our wider society.

Many of our academics and technicians who support your course also deliver collaborative, interdisciplinary, high-impact work in a range of local and global issues and challenges with noise, sound and vibration.

Read on and discover how you are part of something bigger.

Employment and stats

What about after uni?


Acoustics at Salford


The growth of digital media has increased industry demand for talented professionals who can help deliver exceptional audio-visual experiences. Salford has over 25 years of experience nurturing graduates into audio and acoustics careers that span consultancy, research, development and design roles with leading companies such as Apple, Dolby, and the BBC.

Our audio production graduates typically build careers in audio post-production, freelance sound engineering, convergent technologies (audio, video and new media) and broadcast. Today, you'll find alumni working with leading media organisations including the BBC, Sky TV and Channel 4.


You might also choose to take your subject interest further with postgraduate research. Our Acoustics Research Centre is home to PhD and Research Master’s opportunities exploring a range of topics, including noise and soundscapes, sound modelling, psychoacoustics, vibro-acoustics, building acoustics, acoustic materials and audio engineering.

Explore our Doctoral School to learn more about research training, support and opportunities.

A taste of what you could become

An audio manufacturer

A broadcast engineer

A sound engineer

A music producer

An audio and visual engineer

And more...

Career Links

Industry collaboration is at the heart of your learning at Salford. Thanks to a longstanding partnership with Soundsnap, you will have free access to sound effects resources during your studies.

Our acoustic and audio staff hold strong industry links through collaborative research and development projects with our Acoustics Research Centre.These connections keep course content relevant to industry needs and in tune with new research.

Recent collaborative projects include integrated virtual models for acoustic design with Dyson, wind turbine noise auralisation and subjective testing with DELTA and DEFRA, acoustics for auralisation with Arup, the S3A Future Spatial Audio project with the BBC and SALSA (Spatial Automated Live Sports Audio) system with DTS and Fairlight.

We also hold regular informal research seminars with industry partners to share research outputs. Recent masterclasses include acoustic consultancy with RBA Acoustics, noise mapping software with Cambell Associates, environmental noise with WSP/Parcel, railway noise & vibration with AECOM, NVH & infotainment with JaguarLandRover, and measurement microphone technology with GRAS.


What you need to know


This course is recommended for sound engineering or music technology graduates or working professionals with a keen interest in the subject area. Applicants will require skills in both the operational and theoretical aspects of audio production.  


All of our courses are taught and assessed in English. If English is not your first language, you must meet our minimum English language entry requirements. An IELTS score of 6.0 (no element below 5.5) is proof of this, however we do accept a range of equivalent qualifications. 

Read more about our English language requirements, including information about pathways that can help you gain entry on to our degree courses. If you do not have the English language requirements, you could take our Pre-Sessional English course


International students are required by the Home Office and/or the Foreign and Commonwealth Office (FCO) to apply for an Academic Technology Approval Scheme (ATAS) Certificate before they begin their studies. You need to obtain an ATAS Certificate before you come to the UK to comply with Home Office regulations. Please refer to your offer conditions. 

If you have a query relating to ATAS, please contact:


Please check international intakes for the latest information and application dates.

Standard entry requirements

Undergraduate degree

A second class honours degree that must contain significant elements of audio technology or production.

International student entry requirements

We accept qualifications from all around the world. Find your country to see a full list of entry requirements.

Alternative entry requirements

Accreditation of Prior Learning (APL)

We welcome applications from students who may not have formal/traditional entry criteria but who have relevant experience or the ability to pursue the course successfully.

The Accreditation of Prior Learning (APL) process could help you to make your work and life experience count. The APL process can be used for entry onto courses or to give you exemptions from parts of your course.

Two forms of APL may be used for entry: the Accreditation of Prior Certificated Learning (APCL) or the Accreditation of Prior Experiential Learning (APEL).

For more information or enquires about this scheme, please contact: 

Learn more about the Salford Alternative Entry Scheme.

How much?

Type of study Year Fees
Full-time home 2024/25 £9,990.00per year
Full-time international 2024/25 £16,380.00per year
Part-time 2024/25 £1,665 per 30 credits
Full-time home 2025/26 £10,350.00per year
Full-time international 2025/26 £17,000.00per year

Additional costs

You should consider further costs which may include books, stationery, printing, binding and general subsistence on trips and visits.

International student scholarships

If you are a high-achieving international student, you may be eligible for one of our scholarships. Learn more about our latest international scholarships.

Apply now

All set? Let's apply

Enrolment dates

September 2024

January 2025

September 2025