Experienced and expert staff complemented by practitioners in the distribution/exhibition/journalism industries
Expansive course that investigates a wide range of films from around the world
Strong links with the cultural industries, and a local focus in terms of issues in British cinema
Based at MediaCityUK
International students can apply
Since the introduction of cinema, film has been used as a unique platform to educate, entertain and inspire its audiences. This course is about taking films seriously, discovering the industry from a number of perspectives and projecting its future.
By focusing on the broader study of film history, aesthetics and theory, you will examine a range of critical approaches to film, investigating developments in American and British cinema from their origins to the present day. Additionally you will discover how cinema in those parts of the world, as well as across Europe and Asia, has become a significant part of global culture as a major entertainment industry. You will research and analyse key films and film movements in cinema; deepen your understanding of film, and make presentations of your findings. You’ll gain an academic, intellectual and practical understanding of one of the world’s most popular forms of mass entertainment and study work-related themes such as film distribution, exhibition and film journalism.
The course has strong links to the local culture industries, in particular: HOME, Greater Manchester Arts Centre; and the Viva: Spanish and Latin American Film Festival. This will give you an insight into the practicalities of film distribution and exhibition. Graduates of this course have gone on to work in a number of film related-careers such as film journalism, cinema administration, cinema programming and film festival/events organisation.
Through a series of core modules, Year One will take you through the history of cinema from its origins to the present day. It will also examine a range of critical approaches to film and investigate the world’s most powerful film industry: Hollywood.
During the course of this module, you will look at the idea of film form and how it contributes to the meaning of a film. Considering various components such as narrative, cinematography, editing and sound, this module aims to answer the basic question of: What is a Film?
By covering a number of influential moments in the development of cinema, this module will enable you to identify and contextualise a range of film movements including early cinema and forms of exhibition, Soviet cinema, German Expressionist cinema, Surrealist cinema, documentary cinema, and Realism and French cinema.
You will evaluate a range of critical approaches to film in relation to the social and cultural developments that informed and influenced them. Throughout the module, you will focus on key approaches such as film as art, film as mass culture, authorship, genre and ideology.
This module introduces you to the idea of ‘classical Hollywood’ cinema and its role in the development of our understanding of film. Analysing Hollywood as an organising structure for film production, you will identify the production methods employed by the Hollywood studios, the production techniques and practices widely termed as the ‘classical Hollywood style’, and the economic rationale behind the establishment of Hollywood.
Building on from your learning in ‘Film Histories, Film Movements I’, this module will focus on a number of influential moments in the development of cinema from the second World War to the present. This will include a range of film movements that may include Italian neo-realism, the French ‘new wave’, Eastern European film movements, US Underground cinema, Antipodean cinema.
Focusing mainly on ‘Screen’ theory, feminism, race and film audiences, this module will allow you to continue your learning from ‘Critical Approaches to Film I’ and study a number of other critical approaches to film.
The first part of Year Two will extend your basic knowledge and understanding of cinema through core modules that focus on areas such as British cinema, Asian cinema and contemporary Hollywood. In the second part of the year, you will have the opportunity to build upon your knowledge and understanding by pursuing modules that reflect the expertise of Salford’s Film Studies teaching staff, these may include: Comedy and British Cinema, Film Journalism and Genre.
This module is designed to provide you with an introduction to the history of British cinema, its institutions, its stars, its regions and some key production personnel. Case studies may include activity local to Salford, such as the Mancunian Film Company and the exploitation cinema of Cliff Twemlow and David Kent Watson.
Building upon several ideas covered in Year One, you will begin to take a more in depth look at the range of cinema produced across Asia. In addition to covering a variety of cinematic traditions from countries including India, China, Korea and Japan, you will also articulate the differences in aesthetic forms and strategies and critically assess the place of Asian cinemas in the increasingly global film industry.
The landscape of American filmmaking has been affected by a range of economic, social and cultural changes in recent years. This module will consider these tumultuous changes as well as address conflicting definitions of independence within a global marketplace, and the importance of marketing strategies within contemporary filmmaking.
Building on from Critical Approaches to Film I and II studied in Year One, this module focuses on the idea of film genre and considers its usefulness in analysing the output of contemporary film industries from around the world.
Focusing on comedy films produced within British cinema, this module will enable you to identify different characteristics associated with various styles of British film comedy. You will also analyse formal strategies employed by comedy filmmakers and various performance techniques utilised by a range of comedic performers within British cinema.
You will learn to write in a concise and entertaining manner in this module, acquiring the writing and editing skills necessary to undertake film reviews, features and interviews. Whilst the module will focus on film-related matters, the skills learned will be highly transferable into other journalistic realms.
The final year offers you the opportunity to specialise further by choosing from industry-focused modules such as ‘Film Distribution and Exhibition’, or more traditional subjects such as ‘Film and Theory’, ‘British Television Drama’ or ‘Contemporary European Cinemas’. The focus on Hollywood from the second year can also be followed up. All final year BA Film students will also complete a dissertation around their chosen topic.
Through a combination of classroom activities and guest lectures from industry professionals, this module aims to explore and critically explain the connected fields of film distribution and film exhibition.
We’ll study important examples of international comic strips, series and ‘graphic novels’. At a time of proliferating texts inspired by material introduced in comics, a section of the module will look at film and TV adaptations, evaluating the importance of comic-derived material to the modern media landscape. The unique ways in which comics can be said to create meanings will be highlighted, and, in ‘workshop’ format with expert guidance, students will experience designing a narrative. Themes studied may include: Comics and Childhood; The Graphic Novel Era and the ‘coming of age’ of comics; Alan Moore and 2000AD; Fandom; and Comics and Other Media, including the Marvel Cinematic Universe.
Building on ‘Critical Approaches to Film’ and ‘Film Histories Film Movements’ studied in year one, and ‘Genre and Beyond’ studied in year two, this module explores contemporary European cinemas by studying contemporary examples of European styles, forms and genres in their cultural and socio-historical contexts. You will look at the debated notion of ‘European cinema’ and you will be introduced to contemporary non Anglo-American films and cinematic styles while exploring in depth traditions of cinematic realism in European cinema structured around three areas: 'New Realism and Hyper Realism', 'Allegory and Magic Realism' and 'Against Realism: Brecht and European Cinema'.
‘Hollywood Masculinities’ will let students explore key (transitional) representations of men and masculinity throughout Hollywood history. Beginning with an examination of the pre-code ‘mob men’, moving to representations of men (and dangerous women) in film noir and 1980s muscular hero action pics, amongst other key masculine characterisations, the module will analyse how the representation of Hollywood’s leading men has always been an altering document, drawn and redrawn to meet the demands of the day. Critical skills concerning gender, identity and representation theories will come to bear on one of the burgeoning, most hotly-debated areas of the film discipline.
This final module is designed to provide guidance and support throughout your dissertation research. The early part of this module will be delivered in the form of directed staff presentations followed by student discussions. Later, you will be allocated a dissertation supervisor who will engage in 1 on 1 supervisory sessions in the run up to student presentations. The latter part of the module will be based around your completion of a written dissertation directed by discussions of your approach with your supervisor.
Please note that it may not be possible to deliver the full list of options every year as this will depend on factors such as how many students choose a particular option. Exact modules may also vary in order to keep content current. When accepting your offer of a place to study on this programme, you should be aware that not all optional modules will be running each year. Your tutor will be able to advise you as to the available options on or before the start of the programme. Whilst the University tries to ensure that you are able to undertake your preferred options, it cannot guarantee this.
English and Maths GCSE grade C
UCAS tariff points
104 - 120 points
GCE A level
Film Studies or Media Studies preferred but not essential. General Studies accepted only with two other A levels.
BTEC National Diploma
104 - 120 points
Irish Leaving Certificate
Salford Alternative Entry Scheme (SAES)
We welcome applications from students who may not meet the stated entry criteria but who can demonstrate their ability to pursue the course successfully. Once we have received your application we will assess it and recommend it for SAES if you are an eligible candidate.
There are two different routes through the Salford Alternative Entry Scheme and applicants will be directed to the one appropriate for their course. Assessment will either be through a review of prior learning or through a formal test.
English Language Requirements
International applicants will be required to show a proficiency in English. An IELTS score of 6.0 (no element below 5.5) is proof of this.
You will have an inquisitive nature and an ability to think critically about the world around you. Alongside that, a keen interest in cinema from a variety of contexts including both mainstream and less well-known films is essential.
Fees and Funding
Type of Study
£9,250 per year
You should also consider further costs which may include books, stationery, printing, binding and general subsistence on trips and visits.
As an International student you could be entitled to:
This course will be delivered through a combination of lectures, seminars, tutorials and workshops. These will be complemented by screenings, cinema visits and talks by visiting experts from outside the University.
Throughout the course you will be assessed by:
Shorter pieces of written analysis
Longer written pieces based on your own research
Short presentations prepared individually or in small groups.
A comic sequence (if option taken)
This course will provide you with the opportunity to find out about a number of film-related careers such as film journalism, cinema administration, cinema programming and organising film festivals.
A degree in Film Studies will also provide a grounding that could lead to a job in the wider field of arts administration. The degree will prepare you for the pursuit of an academic or research career, or enable you to embark upon teacher training. Some students who have completed a critical course such as Film Studies go on to do a more practically-based postgraduate or training course.
Links with Industry
The course has strong links to the local culture industries, in particular: HOME/Greater Manchester Arts Centre; the Viva - Spanish and Latin American Film Festival. This gives those on the course an insight into the practicalities of film distribution and exhibition. Our modules also involve exploration of the freelance careers of film journalists and comic creators.